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The agitated calm of insubstantial space

by Sándor Vály and Attila Kalóczkai

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1.
Spaces 10:35
SPACES (János Pilinszky) Hell is a space-experience. So is heaven. Two kinds of space. Heaven is open, we can see the other one down, as if in a basement room, we can see it down from above as if peeping downwards from a staircase through the door of a basement room opened (left open?) on purpose. What’s happening there is exactly what’s unbearable to me. Perhaps nothing more than a rag-bag being opened, figuring out how much a swan weighs, or talking about something with the only being I love thousand times over and over again, something that can and may never be either written or spoken about. Translated N. Ullrich Katalin
2.
Shell 04:52
SHELL (Attila Kalóczkai) Coprus Invictus A shell inhaled by light captures us. Sticky globe in bloom. It’s tentacles weave a web. Arriving through a wormhole borning spirit tears, throws shackle stirring up the peace of immaterial space. It dissolves the glue drops of an invisible clay fabric woven by thousands of spools, corpuscula kneaded from ashes tears the looming net. Setting goad stopped by defusing skin. Swooning discharges. Welded hiatus filling skull moves. Creating chance. Internal support of sinews, expansive universe of veins filling tenderized surface of flesh. Soft piles built by membranes sticking to each other pugged bones from dust: Corpus victoria. Gobbled flesh, muscle. Pulverized bones in the granite mortar of the body soft piles disintergrating like membranes. Rigidity of the crop, internal support of sinews, universe of veins, this much was given without bone and flesh. Motionless squeaky shell, skull-lost cavity, electrical dischargesthat run on the surface, stimulate to pow. Space-filling fermion ashes thousand spools warp invisible fabric from clay. In captivity of sticky drops. The soul is a paralyzed wayfarer. Empty substance is twitching a handshackled spirit. Doesn’t let to pass. It prohibits rebirth through a wormhole. A net ripped from the inside kneaded into a sticky dumpling. Dark substance’s sling tosses from the peel’s captivity. Body, you're defeated.
3.
Fox 04:28
FOX (Attila Kalóczkai) I am a stuffed fox in my own shop window. The smoke draws a line between my ears. The parishioners stand with their heads bowed. Innocent eyes  creakily demand me back to life. Tears pervade my skin. Yet they worship me, yet they believe in me. I dig no more trenches. I avoid no more traps. I hunt no more victims, and that's enough. I'm a stuffed fox in my own pulpit. Body to body, shoulder to shoulder. I seek a new enemy. I have sold myself, The souls of my followers breathe new life into me. I dig no more trenches. I avoid no more traps. I hunt no more victims, and that's enough. I am a stuffed fox on my own altar. Behind my mirror is mercury or a door. Here you are! - I show the way. The parishioners stand with their heads bowed. While I was alive I was a coward, yet in my death I'm worshiped.
4.
Mud 04:32
MUD (Attila Kalóczkai) When the conserved mud pulls you down you don't even notice it. You dig your face in it rather than see it from above how we wallow in what we wouldn't want to experience. Faceless bodies around you. Lives stuck inbetween slowly whirling Stretchy black sods. You don't see it yet. You have to escape, tug yourself out from the perverse attraction of your neon-nylon existence. You pull yourself out by your soggy hair. You temper a stucked digital shitdumpling and scroll it as a scarab. Horizon ruling rolled back arms roar at you. You seemingly dominate it, it seems to escapes. Your titan prothesis chrunches. The generated energy of your vein's blood stairway doesn't get to the core for you to see: you only became the prisoner of yet another nonexistent space.
5.
Lament 03:03
LAMENT (Sándor Vály) Mother, Mother, My dear Mother! People come and pile up knowledge. They build a tall tower from it to break God into atoms.
6.
Pendulum 11:37
PENDULUM (Attila Kalóczkai) He saw the factory crumbling, where among the circle of body-pressed tins absess-blessed patriarchs in crimson velvet slippers planed rugged concrete floors. A screaming mist builds a forced barrier between unsecrated walls uncleaned of creation. Eyes covered with cataracts, bodies swaying in a forced path, servant-gods overseen by forward leaning tilting foreheads. The pendulum made a quiet path through an Oculus,  handing out gouty hands, over the tubs leaning knotty fingers kneading life from mud and bread. Existence coiled in soft spasm were born entrusted to scarfed and sackclothed bodies leaving depressed reliefs at the bottom of breathing tin tubs. Seers emerged in sloppy aspic. Their fingers were spasmed by non-worldly tentacles. They have been given souls without believing, divided ways of time and space, soulless vision. Shock, distorted, silent howls, parallel realities. Pouring touches, sound, images, smell, taste. Unprocessable set of past, space, future roasts coiling brain surface. Choked breath, bending up spine, pendulum-hugging creation brake. Roar. Silence. Invisible rope clinging down from Heaven. Pendulum.
7.
Landscapes 05:22
LANDSCAPES (Sándor Vály) I dreamed with pictures, with Chinese girls tied up, tied in knots under their soft, sweaty groins, with yellow bells on their swollen breasts. Solar eclipse on their painted masks The world went dark, or something inside me . In melting furnaces the white wax-time. I flee in the landscape bending over me, wraps me up, crinkles, twists. I travel by boat, train, plane. There is a problem with my passport everywhere. I live in deserted towns, in roadside motels sleeping on tables in underground bars at nights. Genderless non-being, silent stillness, roadless road, dull lights, a restless soul on the threshold of action. Passively following my own fate infinite moment in the shrunken space. God has cast the Eden out of us, armed angels guard the gate now. It is today, tomorrow and always, the space has become a prisoner of dead time, this is the border! I looked at the sky behind my masks, at the double eclipse. Melted celestial furnaces' little death figures heave at me, no one can escape from this city. here death is imprisonment for life I'm stuck in the landscape I'm stuck in the landscape I'm stuck in the landscape I'm stuck in the landscape I'm stuck in the landscape I'm stuck in the landscape I'm stuck in the landscape I'm stuck in the landscape
8.
Tower 24:03
TOWER (Attila Kalóczkai) Resurrecting missed, accidental touch, loud fuss, mind-numbing stimulus. Streets of centuries crumpling towards the sky, remaining past creates. An age that never existed disinterest of gone times. Conscience shaped from desire  the desire of conscience  suddenly hogties. Enveloping colourless gloom. I am controlled by a device burned into my retina. Behind the trash heap door of giants, hard wood, iron plate resists. Behind it are perhaps an abandoned stable, a sacred place, proud humiliation, humiliating clumsiness, ... creeping shadows of life. Flayed body looks down with contempt from the pedestal, granite pulley winding towards the heavens, squeaky rusty lawn, limbs drowning in obscurity. Hanging from the vault on black chains, rising from the cauldrons a fragrant white mist billows, sniffing in the centre of a winged altar a swaying worldly gateway. It is a fog embracing a tower hides its grace, its sturdy metal legs spread wide. Nurturing thermal power station of bodies, throbbing flesh produced heat, disappearing world. Dead-end river,  on slimy basalt shuffling blank stares at night, crowded, faces buried in books, coloured lanterns casting no shadow. Drunken, sweating, silent towers, scattered blind eyes, broken giants built from one body, soundless collective  protest of loneliness. The arches of whips stiffened into timelessness shine, bundled pain floats, you move slowly, touch,  and bypass them all. You do not know yet that this is  the rising memento of your suffering. Silence breaks into wheels, its pain creates anger, behind an impenetrable wall is a given up future, a conscience deceived. You fled backwards to the sleepy alleyway in front of the square of Resurgence, into the filling tranquility of the certain emptiness. You no longer need  tell anything. Experience anything. Your focus can drag you free. Tower pulled down by  the mind.

about

"The agitated calm of insubstantial space” is a joint audiovisual collaboration between Sándor Vály and Attila Kalóczkai. Vály and Kalóczkai co-wrote music in the Hungarian underground and industrial areas of the 1980s, where the music was built around Kalóczkai's ritual poetry and tried to build a bridge to the co-arts. (Dance, Performance, Visual arts) Since Vály left the country in 1990, they have not worked together for 32 years. In 2020 they met again in Umbria and planned to create a new material together. Two people, two times, two spaces, two different states, two different existences, have created this musical work, which is the physical and spiritual sum of the last thirty-two years. "The agitated calm of insubstantial space” is not retrospective material, but reacts to the present with the perspectives and aspects created by the lived spaces and times in the lives of two people, and goes beyond the musical and visual languages to articulate the contemporary pathological situation of the soul. "The agitated calm of insubstantial space” is an organic experimental work in which elements of contemporary classical music are juxtaposed with industrial, noise music.

If you want to buy a CD, you can order one from New Polar Sound. newpolarsoundrecords.bandcamp.com/album/the-agitated-calm-of-insubstantial-space?fbclid=IwAR0U4HcA1o3kx-arEW8tctpV5Va-vsdOCZwrUqmPM_iUa1ILgIu7XPfoRs0

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released December 21, 2022

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Sandor Valy Finland

Sándor Vály (1968) is an audiovisual artist born in Hungary and currently living in Finland and Italy. Vály’s art is characterised by conceptual and philosophical dimension, which he uses to operate in the field of contemporary art. His work ranges from music to cinema, performance art and literature. Vály creates holistic works of art that form extensive entities ... more

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